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LILIANA BEATRIZ ARNILLAS - Vitae
barnillas@blinn.edu /
larnillas@uh.edu
713.743.4637
EDUCATION
M.F.A. (Master of Fine Arts) University of Kentucky,
1992*
B.F.A. (Bachelor of Fine Arts) Pontifical Catholic
University of Peru / University of Kentucky, 1989
WORK EXPERIENCE
Educational Production Specialist, University of Houston,
Houston, TX 2006- present Supervise graduate
assistants, produce Trainer Certificate Institute, Dept. Liaison.
Assistant Chair, Division of Fine Arts, Blinn College,
Bryan TX 2005-2006 Supervised part-time faculty,
oversaw and developed visual art curriculum and studios, updated
master
syllabi and pre/post tests, reported on program review goals,
maintained
division
website.
Art Instructor & Director of Service Learning,
Blinn College, Bryan, TX, 2002- current
Teach Art History (The Western Tradition) I and II, Design
I, and Drawing I. Art History is offered both in actual class
and on line.
Developing a foundation Art Studio program. Participated in the
production of the Master Syllabus and the Pre/Post-test for
Art
History II. Develop the Service Learning Program, create infrastructure,
propose systems, forms and assessment methods.
Regional Director, NCBI International (National Coalition
Building Institute – Campus Project,) Texas Campuses, 2003
– current
Make monthly calls to directors of NCBI campus chapters in the state
of Texas: University of Texas (Austin), University of Houston, University
of Houston – Clear Lake, Delmar College, and Baylor School
of Dentistry. Review reports and serve as support person to directors
and leaders. Report results to NCBI International Office and remain
in contact with NCBI Campus Project Director in Columbia University.
Coordinator of Gender Issues Education,
Texas A&M University 2001-2002
Oversaw the Office of Gender Issues Education in the Dept. of Student
Life. Supervised office staff, two graduate assistants and one student
worker. Managed a yearly budget of about 20 to 25,000. Advocate
of survivors of sexual violence, maintained and updated a gender
issues library, database, provided educational/classroom presentations,
prevention lectures, collaboration with community advocacy groups
(Phoebe’s Home, Rape Crisis Center, local police departments,
etc.) and directed the Texas A&M NCBI affiliate.
Instructor, Texas A&M Women Studies Program,
College Station, TX, 2002
Taught “Women in Art” an innovative interdisciplinary
course which included lectures, slide presentations, research, reflection,
(journal) and creative production as a means to process current
and past art theory and art work by women, (both professional arts
and traditional crafts, with and without function) in the USA, Asia,
Europe, Africa and South America.
Associate Professor of Art with Tenure,
Seton Hill University, Greensburg, PA 2001
In addition to teaching and other responsibilities listed below:
Curricular design and review, Program review for accreditation and
for future NASAD accreditation.
Associate Professor of Art, Seton Hill
College, Greensburg, PA 1998-2000
In addition to the studio teaching responsibilities, member of the
Women Studies Advisory Board, Seton Hill Forward Magazine Editorial
Board, and the Executive Council of the Faculty Senate. Also served
in the “Case Study” committee for the capital campaign,
and the alumni phonaton. Director of The NCBI Affiliate at Seton
Hill.
Assistant Professor of Art, Seton Hill
College, Greensburg, PA 1994-1998
Taught Drawing I - V, Painting I – V, Nontoxic Printmaking:
Intaglio, Screen and Relief Printing. Taught Service-Learning class
where students painted an outdoor mural for a nonprofit organization.
Mural was reviewed by all regional newspapers and featured in "Murals
of Pittsburg" (see publications below.) Served in the Retention
and Affirmative Action Committees.
Artist in Residence, The Kentucky Arts
Council, with matching grants from the NEA and Community Partners,
Kentucky, 1992-1994
Arts in the public schools and communities, in collaboration with
teachers and including appointments as instructor/visiting artist
in regional colleges
Board of Directors, The Kentucky Foundation for Women, Inc., Louisville,
KY 1993-94
SELECTED EXHIBITIONS / PORTFOLIOS / PERFORMANCES
Locomotives on Parade, a public art
project by the Bush Library and Museum, Arnillas locomotive sponsored
by the Astin Partners, Bryan, Texas, 2005
International Exhibitions of Non-toxic Printmaking,
including in: Casa de Cultura de Huarte, (Spain, 2003), Gracefield
Arts Centre, Dumfries Scotland (2002), Rochester
Institute of Technology, (2001), Boise State University, 2000,
College of Eastern Utah (UT, 2001), Northeastern
Illinois University (Chicago, 2001), Warren Wilson College (North
Carolina, 2001)
Miscellaneous invitational/group exhibitions, including: Chrysler
Museum (Virginia, 1999), Hofstra University Museum (NY,) Allegheny
College (PA, 1999), Richland College (Dallas, 2005), North Harris
Montgomery C.C. Gallery (TX 2003), Frame Gallery (TX, 2005.)
Solo
Exhibits, including: Texas Art Gallery
(TX , 2003), Marshall University, (WV 2001), Mon Art (Morgantown,
WV, 2001), Spalding University (KY, 1999), Bellarmine College
(KY 1998), Chatham College (PA, 1997), PennState Harrisburg (PA
1996), Edenside Gallery (KY, 1989-1994)
Many Arts, Many Hearts, Multi-disciplinary
Interactive Performances, (Kentucky and Indiana,) Co-Sponsored
by NEA and Kentucky Arts
Council, KY 1994
Public Art: Billboard, Lamar Advertising
Co., Lexington, KY 1990
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SELECTED LECTURES / PROFESSIONAL PRESENTATIONS / REVIEWS
Visiting Artist, Rice University,
Pronto Plate Lithography Workshop, Spring 2002
Visiting Printmaker, Lecture w/ slide
presentation and Non-toxic Lithography Workshop, Rochester
Institute of Technology,
Rochester, New York, 2001
Visiting Artist, Lecture, Birke
Gallery, Marshall University, Huntington, WV, 2001
Workshop Presentation, Diversity Constituency Work in College
Campuses, Columbia University, New York, 2001
Key-Note Speaker, Campus-wide Diversity
Training, Northern Arizona College, Phoenix, Arizona, 2001
Co- Presenter, with Dr. Christine
Stanley, Respecting and Valuing Differences in the Classroom,
Texas A&M University Center for Teaching Excellence, 2001
Book Reviewer, Creative Drawing, Howard
Smagula, McGraw-Hill Higher Education, New York, 2000
Out of State Reviewer for Artists Grants,
The Kentucky Foundation for Women, Inc. Louisville, KY, December
1999
Paper presentation, Women in Art:
A creative Introduction to Women Studies Barnard College, NY
1999
Visiting Artist’s Lecture, Slide
and Video Presentation, Southwestern Louisiana University at
Lafayette, 1999
Editorial Advisory Board, On Drawing,
2nd Edition, by Roger Winter, Collegiate Press, San Diego, CA
1999
Gallery Talk, Allegheny College,
Meadville, PA 1999
Workshop, Non-Toxic Lithography/ Using
Photoshop to Image “Pronto” Plates, Mid-America
College Art Association (MACAA,) Lexington, Kentucky 1998
Paper Presentation, Hybrid, College
Art Association (CAA) Annual Conference, New York, NY 1997
Conference Presentation, Speaking
in White Cloth, (Mapping the Genealogy of Female and Indigenous
Oppressions in Latin America), Hofstra University, Hempstead,
NY 1997
Panel Respondent, Redefining Regionalism,
Carnegie Museum, Pittsburgh, PA 1996
Paper presentation, Teaching Drawing
at the Foundation Level, SECAC, Georgetown University, Washington
DC, 1995
Presentation, From the Cultural Arts
to a Global Education, University of Louisville, KY 1993
PROFESSIONAL MEMBERSHIPS / SERVICE IN PROFESSIONAL ORGANIZATIONS
Board of Directors, NCBI International,
Washington DC, 2003- current Board, Downtown Bryan Economic Development Association, Bryan,
TX 2006 - current (chair of the Arts and Culture Committee)
Women’s Center Advisory Committee,
Office of the Executive Vice President and Provost, Texas
A&M
University, College Station, 2001 -2002
Subcommittee on the Status of Women,
Texas A&M University Faculty Senate, 2001 - 2002
College Art Association, Appointed Member of the Cultural
Diversity Committee, 2001- 2004, (Developed an
initial Bibliography on Diversity and Multiculturalism for
the College
Art
Association Web Site)
Coordinator, Elections Committee of The Executive Council
of the Faculty Senate, Seton Hill University,
1998- 2000
Director of Volunteer Diversity Team,
The Seton Hill University, National Coalition Building Institute
(NCBI),
Office
of Administration and Student Life, 1995 - 2000
Texas Association of Schools of Art,
member SELECTED PUBLICATIONS / CITATIONS
“Speaking on White Cloth: Painting on Writing,
Writing on Painting.” By L. Beatriz Arnillas
& Dr. Adrian Perez Melgosa, in Zenia Sacks Da Silva, ed. The
Hispanic Connection: Spanish and Spanish-American Literature in
the Arts of the World, Greenwood Publishing Group Inc., March
2004
NextMonet, (one of three featured artists)
CBS News 2, Chicago at Ten, (3:10”) March 31, 2000
Beatriz Arnillas at Huff Gallery, by Bruce
Nixon, Louisville Eccentric Observer, August 25, 1999
Mixed Images Illustrate the Nature of Life,
by Diane Heilenman, Courier Journal, September 1999
SECAC (South East College Art Conference) Exhibition
Catalogue, Chrysler Museum, Norfolk, VA, 2000
Appalachian High, by Paul Krainak, New
Art Examiner, October 1997
The Hispanic Connection, Hofstra Museum
Exhibition Catalogue, 1997
Many Arts, Many Hearts, by Gregory Acker,
The Improvisor, Volume XI, 1996
Walls of Treasure, by Marnal Renn, (Featuring
Outdoor Mural) in Focus Magazine, Pittsburgh, PA, August 4, 1996
Protopuppets, by Michelle Myers, The Tribune
Review, Pittsburgh, PA, March 23, 1996
Endangered Spirits, by Jan Kirstin, The
Entertainer, Louisville, KY, July 1991
Artscene with L. Beatriz Arnillas, WFPK
Radio, Louisville, KY, June 30 1991
- URLs
- Small
Grants for Arts and Culture, Downtown Arts and
Culture Association (Chair)
- Locomotives
on Parade, The George Bush Library and Museum
The
Hispanic Connection (publication)
- Art
Exhibit Review, The Eagle, Bryan/College Station, TX
- Artfull
Aesthetic, January 2005
- University of Louisville Art Files
- Pennstate University Harrisburg, Art Exhibit
- The "Men
to Men" Texas A&M University Violence Prevention Program,
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